The Buffalo News
By Jeff Miers
NEWS POP MUSIC CRITIC
The Tragically Hip — Canada’s most popular rock band and a huge fan favorite in Western New York — will perform four shows in five days at Artpark this June, The Buffalo News has learned.
The band, which sold out two shows at the Lewiston venue last summer, will launch its tour there at 7 p. m. June 2 and continue with shows at 7 p. m. on June 4, 5 and 6, according to promoter Fun Time Presents. Fun Time’s Artie Kwitchoff and Donny Kutzbach will announce the concerts today.
Tickets for all four shows are $59.50 apiece and will go on sale at noon Friday through Tickets.com and the Artpark box office. All seats are reserved pavilion seating.
The tour is to promote the Hip’s 12th studio album, “We Are the Same,” to be released April 7.
The Tragically Hip performed its first area show within the relatively intimate confines of Nietzsche’s in Allentown back in 1989. The band, led by Gordon Downie, has been performing here ever since, in venues ranging from the Town Ballroom, to Darien Lake Performing Arts Center to HSBC Arena, building a sizable and incredibly loyal Buffalo audience in the process.
Since its formation in Kingston, Ont., where it cut its teeth in a manner similar to many Buffalo groups — covering the songs of famous acts in tiny bars and gradually sneaking in more and more of its own material — the Tragically Hip has grown into one of the most successful bands ever in Canada, selling out arenas from Vancouver to Toronto.
Buffalo has long mirrored Canada’s Hip-mania. And though the Hip has amassed a vast fan base here and in other border cities such as Detroit, in most other parts of the United States, it remains more of a cult act, routinely playing in midsize clubs.
“We in Buffalo know what Canada knows,” said Kutzbach. “This is one of the last great rock bands of our era. There is a definite artistic side to the band; they’re great musicians, and Gord Downie is a wonderful poet. But there’s also always that salt-of-the-earth, blue-collar aspect to what they do. It’s real, genuine rock ’n’ roll, and that’s something to value, because it’s so rare today.”
Find Tragically Hip tickets >
Showing posts with label the tragically hip. Show all posts
Showing posts with label the tragically hip. Show all posts
Thursday, March 19, 2009
Thursday, March 12, 2009
STG Presents THE TRAGICALLY HIP 6/17 At The Moore Theater
Broadway World
By BWW News Desk
Seattle Theatre Group (STG) presents The Tragically Hip on Wednesday, June 17, 2009 at 8:00pm at the Moore Theatre.
Formed in 1983 in Kingston, Ontario, The Tragically Hip came together with childhood friends Gordon Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass), and Johnny Fay (drums). The group took their name from a Michael Nesmith video entitled Elephant Parts and focused on making a name for themselves in the local scene during the mid-'80s. While performing Toronto's Horseshoe Tavern, MCA Records president Bruce Dickinson was impressed by the Hip's infectious live presence and offered them a deal. A self-titled eponymous EP appeared in 1987, but it took the band two years to get critical attention.
Their proper studio debut effort, 1989's Up to Here boasted the swagger of "Blow at High Dough" and Downie's powerful songcraft was blossoming. College charts were instantly attracted and fellow Canadians were appreciative of The Tragically Hip's insatiable appeal. Road Apples, issued in 1991, was moderately successful; however, the band's third album, Fully Completely (1993), allowed for international crossover. Singles such as "Courage" and "Wheat Kings" became mainstays in pockets of Michigan and New York; the Hip were slowly being noticed and American fans began cherishing them as much as their Canadian loyalists. They continued with a steady rise for 1995's somber storm, Day for Night, and their star power was burgeoning. Sold-out tours across Canada and Midwest America and a spot on Saturday Night Live catupulted the vibrance of "Grace, Too" onto modern rock charts. The Tragically Hip were becoming an anthemic band among the split indie and rock crowds, practically on the verge of being an arena attraction.
Trouble at the Henhouse, their first for Atlantic, was blistering with similar passion of Day for Night, but released too closely to the previous effort. It wasn't radio-friendly enough for America, either, but the band wasn't concerned. The Hip trudged on, selling out countless dates in North America. Downie, who was also a poetic madman, composed a frenzied stage presence and the band's tight rhythm was infectious. The mix of roots rock and light country tinges was something tangible for the mid-'90s grunge reign. While touring in support of Trouble at the Henhouse, the Hip recorded their first-ever live album, Live Between Us (1997). This particular album captured an astonishing night at Detroit's Cobo Arena in 1996 and was uncut and unfearing. The band was at the top of its game, never selling out to corporate ideals. They were a stadium sensation without ever having a major hit in America. The rest of the '90s were a time of rest, but also a period when the band returned to basics of true rock & roll grit.
Phantom Power (1998), the band's sixth studio album, eighth overall, marked their most cohesive work to date. It was also their debut for Sire Records. The album was recorded in the band's hometown of Kingston and the songs themselves were cathartic and seductive. "Fireworks" and "Poets" were again mainstays on college radio. A showcase at Woodstock '99 proved glorious for Canadians the next summer. Music @ Work followed in summer 2000 with subsequent U.S. tours with Guster. The next year, Gordon Downie put his pen to paper for a book of poetry and a solo album, entitled Coke Machine Glow. Downie returned to the studio in 2001 to join his bandmates for another Hip record. Producer Hugh Padgham (Split Enz, XTC, Phil Collins) was also on board to tweak The Tragically Hip's ninth record, In Violet Light, issued in June 2002. In Between Evolution, the band most instrospective work yet, followed in summer 2004. The following year saw the release of Hipeponymous, a limited-edition box set that included the two-disc greatest-hits compilation Yer Favorites and the live DVD That Night in Toronto: Pierre & Francois Lamoureux as well as a bonus DVD of all of the group's videos. Fellow Canadian and famed producer Bob Rock (Metallica, Bon Jovi, Mötley Crüe) signed on for the Hip's 11th studio LP, World Container. Intimate club shows in Toronto, Calgary, Vancouver, and Montreal were also scheduled in celebration of its release in fall 2006.
The Hip have recorded 15+ songs at The Bath House Recording Studio in Bath, Ontario, twelve of which will appear on their upcoming 12th album. Short videos showing the recording process of the new album have been posted at thehip.com, the newly re-launched official website of the band. A new live recording is also posted in the media player section of the frequently updated site. The new album is again produced by Bob Rock, will be released in North America on April 7th, 2009 and is titled We are the Same.
Tickets: $35.00, not including applicable fees. Tickets are on sale Friday, March 6 at 10am at Tickets.com, in person at the Paramount or Moore Theatres box offices, 24-hour kiosks located outside The Paramount & Moore Theatres, charge by phone at 877-STG-4TIX, or online at STGPresents.org.
About STG
Seattle Theatre Group is the 501 (c)(3) non-profit arts organization that operates the historic Paramount and Moore Theatres in Seattle, Washington. Our mission is to make diverse performing arts and education an integral part of our region's cultural identity while keeping these two landmark venues alive and vibrant. STG presents a range of performances from Broadway, off-Broadway, dance and jazz to comedy, concerts of all genres, speakers and family shows - at both historic theatres in Seattle and venues throughout the Puget Sound and Portland, Oregon.
SEATTLE THEATRE GROUP
911 Pine Street, Seattle, WA 98101 · Telephone (206) 467-5510 · Facsimile (206) 812-3272
By BWW News Desk
Seattle Theatre Group (STG) presents The Tragically Hip on Wednesday, June 17, 2009 at 8:00pm at the Moore Theatre.
Formed in 1983 in Kingston, Ontario, The Tragically Hip came together with childhood friends Gordon Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass), and Johnny Fay (drums). The group took their name from a Michael Nesmith video entitled Elephant Parts and focused on making a name for themselves in the local scene during the mid-'80s. While performing Toronto's Horseshoe Tavern, MCA Records president Bruce Dickinson was impressed by the Hip's infectious live presence and offered them a deal. A self-titled eponymous EP appeared in 1987, but it took the band two years to get critical attention.
Their proper studio debut effort, 1989's Up to Here boasted the swagger of "Blow at High Dough" and Downie's powerful songcraft was blossoming. College charts were instantly attracted and fellow Canadians were appreciative of The Tragically Hip's insatiable appeal. Road Apples, issued in 1991, was moderately successful; however, the band's third album, Fully Completely (1993), allowed for international crossover. Singles such as "Courage" and "Wheat Kings" became mainstays in pockets of Michigan and New York; the Hip were slowly being noticed and American fans began cherishing them as much as their Canadian loyalists. They continued with a steady rise for 1995's somber storm, Day for Night, and their star power was burgeoning. Sold-out tours across Canada and Midwest America and a spot on Saturday Night Live catupulted the vibrance of "Grace, Too" onto modern rock charts. The Tragically Hip were becoming an anthemic band among the split indie and rock crowds, practically on the verge of being an arena attraction.
Trouble at the Henhouse, their first for Atlantic, was blistering with similar passion of Day for Night, but released too closely to the previous effort. It wasn't radio-friendly enough for America, either, but the band wasn't concerned. The Hip trudged on, selling out countless dates in North America. Downie, who was also a poetic madman, composed a frenzied stage presence and the band's tight rhythm was infectious. The mix of roots rock and light country tinges was something tangible for the mid-'90s grunge reign. While touring in support of Trouble at the Henhouse, the Hip recorded their first-ever live album, Live Between Us (1997). This particular album captured an astonishing night at Detroit's Cobo Arena in 1996 and was uncut and unfearing. The band was at the top of its game, never selling out to corporate ideals. They were a stadium sensation without ever having a major hit in America. The rest of the '90s were a time of rest, but also a period when the band returned to basics of true rock & roll grit.
Phantom Power (1998), the band's sixth studio album, eighth overall, marked their most cohesive work to date. It was also their debut for Sire Records. The album was recorded in the band's hometown of Kingston and the songs themselves were cathartic and seductive. "Fireworks" and "Poets" were again mainstays on college radio. A showcase at Woodstock '99 proved glorious for Canadians the next summer. Music @ Work followed in summer 2000 with subsequent U.S. tours with Guster. The next year, Gordon Downie put his pen to paper for a book of poetry and a solo album, entitled Coke Machine Glow. Downie returned to the studio in 2001 to join his bandmates for another Hip record. Producer Hugh Padgham (Split Enz, XTC, Phil Collins) was also on board to tweak The Tragically Hip's ninth record, In Violet Light, issued in June 2002. In Between Evolution, the band most instrospective work yet, followed in summer 2004. The following year saw the release of Hipeponymous, a limited-edition box set that included the two-disc greatest-hits compilation Yer Favorites and the live DVD That Night in Toronto: Pierre & Francois Lamoureux as well as a bonus DVD of all of the group's videos. Fellow Canadian and famed producer Bob Rock (Metallica, Bon Jovi, Mötley Crüe) signed on for the Hip's 11th studio LP, World Container. Intimate club shows in Toronto, Calgary, Vancouver, and Montreal were also scheduled in celebration of its release in fall 2006.
The Hip have recorded 15+ songs at The Bath House Recording Studio in Bath, Ontario, twelve of which will appear on their upcoming 12th album. Short videos showing the recording process of the new album have been posted at thehip.com, the newly re-launched official website of the band. A new live recording is also posted in the media player section of the frequently updated site. The new album is again produced by Bob Rock, will be released in North America on April 7th, 2009 and is titled We are the Same.
Tickets: $35.00, not including applicable fees. Tickets are on sale Friday, March 6 at 10am at Tickets.com, in person at the Paramount or Moore Theatres box offices, 24-hour kiosks located outside The Paramount & Moore Theatres, charge by phone at 877-STG-4TIX, or online at STGPresents.org.
About STG
Seattle Theatre Group is the 501 (c)(3) non-profit arts organization that operates the historic Paramount and Moore Theatres in Seattle, Washington. Our mission is to make diverse performing arts and education an integral part of our region's cultural identity while keeping these two landmark venues alive and vibrant. STG presents a range of performances from Broadway, off-Broadway, dance and jazz to comedy, concerts of all genres, speakers and family shows - at both historic theatres in Seattle and venues throughout the Puget Sound and Portland, Oregon.
SEATTLE THEATRE GROUP
911 Pine Street, Seattle, WA 98101 · Telephone (206) 467-5510 · Facsimile (206) 812-3272
Subscribe to:
Posts (Atom)
