Fourth Annual ARTS by George! Benefit to Be Held Sept. 26
The Mason Gazette
Mason’s College of Visual and Performing Arts (CVPA) announces the fourth annual ARTS by George!—a benefit event that supports student scholarships and the Great Performances at Mason series.
The event will be held at the Fairfax Campus on Saturday, Sept. 26, at 5 p.m. The evening begins with an exciting showcase of the extraordinary artistic talents of Mason students and faculty members, as well as a unique silent auction of arts-related items and experiences.
ARTS by George! culminates in the Center for the Arts Concert Hall with a performance by acclaimed Tony Award-winning Broadway artist Brian Stokes Mitchell. Mitchell will be accompanied by the American Festival Pops Orchestra, which makes its debut under the direction of University Professor of Music Anthony Maiello.
ARTS by George! is generously supported by many area individuals and businesses. Event co-chairs are longtime local arts supporter Julie Dyson of Alexandria, Va., and Enrique Tessada, founder and chairman of Tessada & Associates Inc. in Springfield, Va. Sponsorship co-chairs are Carolyn Peterson and Don Conwell.
Vincent Oppido, a graduate student in Mason’s School of Music, has collaborated with Mitchell to arrange an original overture of beloved songs from Broadway musicals in which Mitchell has appeared.
The American Festival Pops Orchestra is composed of more than 60 professional musicians from across the Washington, D.C., area, including Mason faculty members, musicians from the U.S. military ensembles and regional orchestras. The AFPO also includes a select group of talented young artists from Mason’s School of Music.
“ARTS by George! is advancing to a new creative level,” says CVPA Dean William Reeder. “The formation of the professional American Festival Pops Orchestra under the baton of Maestro Anthony Maiello, and the collaboration between Brian Stokes Mitchell and CVPA graduate student Vincent Oppido represent a bold thrust of creativity. It is a natural extension of the academic, professional and community forces that constitute the Arts at Mason.”
Tickets (includes student performance showcases, food, beverages, Brian Stokes Mitchell concert and dessert reception onstage with the artist) are $200 per person. Contact Deborah Paez at dpaez@gmu.edu, call 703-993-4188, or visit www.artsbygeorge.com to order tickets and/or inquire about sponsorship opportunities and benefits.
Individual tickets for the Mitchell concert only may also be purchased beginning Sept. 1. Tickets are $60, $52 and $30. Charge by phone at 888-945-2468 or visit tickets.com.
Showing posts with label george mason center for the arts. Show all posts
Showing posts with label george mason center for the arts. Show all posts
Friday, September 4, 2009
Monday, March 30, 2009
GMU Center for the Arts Welcomes Complexions Contemporary Ballet
The Mason Gazette
Dwight Rhoden and Desmond Richardson founded Complexions Contemporary Ballet in 1994 to explore powerful social, political and emotional issues through the use of cutting-edge choreography grounded in classical dance, original music and creative multimedia effects.
The program, subject to change, is scheduled to include several works by Resident Choreographer Rhoden, as well as one by Richardson.
The performance comes to the George Mason University Center for the Arts Concert Hall on Saturday, April 11, at 8 p.m.
The performance begins with “Routines,” a fluid, abstract piece that explores the dual concept of “routines” – those performed by dancers on a stage and those executed in the course of the everyday life of a dancer. Then a trio of male dancers will perform “Gone,” a piece about brotherhood, survival and the struggle to live through conflict.
Next will be an excerpt from “Momentary Forevers,” a work set to music by George Frederic Handel and John Cage; Richardson’s own powerful and unrestrained “Fall”; an excerpt from “Moody Booty Blues” set to “When the Guitar Plays the Blues” by Roy Buchanan; and a piece called “Moonlight,” an excerpt from Rhoden’s “Frames,” performed by Richardson.
Last, the company will perform “Rise,” which explores the dizzying journey of life in all its complexity and ecstasy, set to the anthem-like songs of U2.
The company received the prestigious New York Times “Critics Choice” Award in 1995 and has since toured throughout the United States and abroad.
Rhoden has created and choreographed more than 60 ballets for Complexions. Under his tutelage, the company has performed at numerous dance venues and festivals around the world, including Alice Tully Hall at Lincoln Center, The Mahalia Jackson Performance Art Center in New Orleans, Italy’s Festival of Dance and the Holland Dance Festival.
Rhoden has performed with the Dayton Contemporary Dance Company and Les Ballet Jazz De Montreal, and he was a principal dancer with the Alvin Ailey American Dance Theatre.
He has received numerous awards, including the New York Foundation of the Arts Award, the Choo San Goh Award for Choreography and The Ailey School’s Apex Award. Rhoden has lectured and served as an artist-in-residence at universities across the country. He has also worked with such high-profile artists as Prince, Lenny Kravitz, Kelly Clarkson and Patrick Swayze. Most recently his choreography was featured on the Fox network’s hit television show, “So You Think You Can Dance.”
Having mastered classical, modern and contemporary dance, Richardson was a principal dancer with Alvin Ailey American Dance Theater for seven years and also performed with the Ballet Frankfurt in Germany.
He was also a guest artist with the Washington Ballet, Teatro at La Scala and the San Francisco Ballet. Richardson performed the lead role in the American Ballet Theatre’s world premiere production of “Othello”; appeared in on Broadway in “The Locks of Love” and Twyla Tharp and Billy Joel’s hit musical “Movin’ Out”; and he received a 1999 Tony Award nomination for his performance in the Broadway musical “Fosse.”
He has performed with Madonna, Michael Jackson, Prince and Aretha Franklin, and recently appeared in Julie Taymor’s film “Across the Universe.” Richardson received the Alvin Ailey School’s Apex Award and the prestigious Dance Magazine Award.
A discussion, free to ticket holders, will begin 45 minutes prior to the performance on the Center’s Grand Tier III.
The Center for the Arts is pleased to recognize the generous support of PNC and the PNC Foundation as sponsors of the 2008-09 Great Performances at Mason season.
Tickets are $42, $34 and $21. Charge by phone at 888-945-2468 or visit tickets.com.
Dwight Rhoden and Desmond Richardson founded Complexions Contemporary Ballet in 1994 to explore powerful social, political and emotional issues through the use of cutting-edge choreography grounded in classical dance, original music and creative multimedia effects.
The program, subject to change, is scheduled to include several works by Resident Choreographer Rhoden, as well as one by Richardson.
The performance comes to the George Mason University Center for the Arts Concert Hall on Saturday, April 11, at 8 p.m.
The performance begins with “Routines,” a fluid, abstract piece that explores the dual concept of “routines” – those performed by dancers on a stage and those executed in the course of the everyday life of a dancer. Then a trio of male dancers will perform “Gone,” a piece about brotherhood, survival and the struggle to live through conflict.
Next will be an excerpt from “Momentary Forevers,” a work set to music by George Frederic Handel and John Cage; Richardson’s own powerful and unrestrained “Fall”; an excerpt from “Moody Booty Blues” set to “When the Guitar Plays the Blues” by Roy Buchanan; and a piece called “Moonlight,” an excerpt from Rhoden’s “Frames,” performed by Richardson.
Last, the company will perform “Rise,” which explores the dizzying journey of life in all its complexity and ecstasy, set to the anthem-like songs of U2.
The company received the prestigious New York Times “Critics Choice” Award in 1995 and has since toured throughout the United States and abroad.
Rhoden has created and choreographed more than 60 ballets for Complexions. Under his tutelage, the company has performed at numerous dance venues and festivals around the world, including Alice Tully Hall at Lincoln Center, The Mahalia Jackson Performance Art Center in New Orleans, Italy’s Festival of Dance and the Holland Dance Festival.
Rhoden has performed with the Dayton Contemporary Dance Company and Les Ballet Jazz De Montreal, and he was a principal dancer with the Alvin Ailey American Dance Theatre.
He has received numerous awards, including the New York Foundation of the Arts Award, the Choo San Goh Award for Choreography and The Ailey School’s Apex Award. Rhoden has lectured and served as an artist-in-residence at universities across the country. He has also worked with such high-profile artists as Prince, Lenny Kravitz, Kelly Clarkson and Patrick Swayze. Most recently his choreography was featured on the Fox network’s hit television show, “So You Think You Can Dance.”
Having mastered classical, modern and contemporary dance, Richardson was a principal dancer with Alvin Ailey American Dance Theater for seven years and also performed with the Ballet Frankfurt in Germany.
He was also a guest artist with the Washington Ballet, Teatro at La Scala and the San Francisco Ballet. Richardson performed the lead role in the American Ballet Theatre’s world premiere production of “Othello”; appeared in on Broadway in “The Locks of Love” and Twyla Tharp and Billy Joel’s hit musical “Movin’ Out”; and he received a 1999 Tony Award nomination for his performance in the Broadway musical “Fosse.”
He has performed with Madonna, Michael Jackson, Prince and Aretha Franklin, and recently appeared in Julie Taymor’s film “Across the Universe.” Richardson received the Alvin Ailey School’s Apex Award and the prestigious Dance Magazine Award.
A discussion, free to ticket holders, will begin 45 minutes prior to the performance on the Center’s Grand Tier III.
The Center for the Arts is pleased to recognize the generous support of PNC and the PNC Foundation as sponsors of the 2008-09 Great Performances at Mason season.
Tickets are $42, $34 and $21. Charge by phone at 888-945-2468 or visit tickets.com.
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